Global superstar Adam Lambert will release his highly anticipated second album TRESPASSING (RCA Records / 19 Entertainment) on March 20th, 2012. Lambert describes TRESPASSING, which he executive produced, as "an exciting journey through the past two years of my life. It's been a transformative period and I really wanted to make music from what I've experienced. All these songs honestly explore the ups and downs of my reality."In addition to co-writing many of the tracks, Lambert collaborated with an all star list of award winning artists, producers and songwriters including Pharrell Williams, Dr. Luke, Claude Kelly, Benny Blanco, Bonnie McKee, Nile Rogers, Sam Sparro, Bruno Mars, Nikka Costa and BC Jean.Since the release of Lambert's debut album For Your Entertainment in 2009 it has sold over 1 million copies worldwide. Lambert was nominated for a Grammy for Best Male Pop Vocal Performance for "Whataya Want From Me" in 2010 and also released the Glam Nation Live CD/DVD and Acoustic Live! EPs. He is first AMERICAN IDOL to ever tour the world in support of their debut album in the year following their IDOL season. In November of this year, Adam took to the stage in the finale of the MTV European Music Awards to sing lead vocals with Queen, who were being honored with a Lifetime Achievement Award. Their captivating performance is widely regarded to be the highlight of the entire EMA ceremony and an indication of the outstanding years ahead in the career of Adam Lambert.
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The third album from Los Angeles fuzz-rockers Silversun Pickups, Neck of the Woods (due May 8) started with a chance meeting when the band stumbled across Grammy-winning producer Jacknife Lee (R.E.M., U2, Weezer) while recording guest vocals for a Snow Patrol track. But Pickups frontman Brian Aubert is quick to point out that pretty much everything about the album -- from producer to studio location right down to its found-photo album art -- has been serendipitous. "It's bizarre," the affable singer/guitarist tells SPIN, a day after hearing the record in full for the first time. "We can't take credit for any of it. It just accidentally happened." For one example of a happy accident, Aubert was surprised to discover Lee's home studio was smack in the middle of the Topanga Canyon woods, minutes from where the singer grew up. "I hadn't been back in years," he recalls. "I thought it would be fun to walk down my old street. It was like playing with fire a little bit. So much came back that I had forgotten about and it was a really emotional experience. I just realized this place and the feelings I had are still ingrained in me." Aubert says the songs sound "like a horror movie," all of them beginning to percolate while he was country-hopping and people-watching during a European vacation. "[2009's] Swoon was more about what I was feeling at that particular time," he says, "whereas with this one, I wanted to see what built me. It was learning why I am the way I am."
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Keane is singer Tom Chaplin, drummer Richard Hughes, keyboardist Rice-Oxley and bassist Quin. Four years have elapsed since Keane's last album Perfect Symmetry; two since Night Train, the EP which followed its three full-length predecessors to the top of the British album charts, securing them a place in pop history. If Keane's feverishly loyal fan base wondered what the group's next album would sound like, they weren't the only ones. In the eight years following the release of 2004's 9× platinum Brit award winning Hopes & Fears, every Keane album has marked a clear progression from the previous one: the anxious emotional terrain mapped out by Under The Iron Sea to the iridescent poptimism of Perfect Symmetry. Strangeland was produced by Dan Grech (Radiohead, The Vaccines, Howling Bells), recorded at Sea Fog, Keane songwriter/pianist Tim Rice-Oxley's studio in South Downs, UK.
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Of Monsters and Men is an amiable group of day dreamers who craft folkie pop songs. But last year, the normally mild-mannered six pack--who's releasing their EP, Into the Woods, on December 20--transformed into total rock stars after stomping out their competition during Músiktilraunir, a yearly battle of the bands in their native Iceland. "We just kind of...won," recalls co-singer/guitarist Nanna Bryndís Hilmarsdóttir. "We weren't expecting it at all. So I said, `Everybody come to my place!'" Beer-swilling friends spilled out of her flat. "I was like, `Oh fuck, my neighbors aren't liking me right now.'" Those neighbors won't be making noise complaints anymore. With the group's bright, trumpeting single "Little Talks" winning over one blog at a time, Nanna and her bandmates (co-singer/guitarist Ragnar "Raggi" Þórhallsson, guitarist Brynjar Leifsson, drummer Arnar Rósenkranz Hilmarsson, piano/accordion player Árni Guðjónsson, and bassist Kristján Páll Kristjánsson) are well on their way to becoming citizens of the world. Their rapid rise transpired in just one year. Nanna, who began as the acoustic act Songbird, recruited extra hands to bolster her sound for a solo show. She liked how her vocals commingled with Raggi's, so they started writing songs together and in 2010 morphed into Of Monsters and Men. As victors of 2010's Músiktilraunir, the new group earned a slot on the influential Iceland Airwaves festival later that year, followed by Seattle's radio station KEXP posting "Little Talks" from a Living Room Session filmed there, setting the telltale ripple effect in motion. By the summer of 2011 "Little Talks" hit No. 1 in the band's native country, and "people around the world seemed to be listening to us," marvels Raggi. The band was asked to perform again at Iceland Airwaves 2011, where KEXP then anointed the group as "easily the most buzzed about band." Though their reach is growing broader, the group's appeal has remained distinct: Their music is as fantastical as it is pretty. For inspiration, they often reference random stories they've read. The chanting, tribal "Six Weeks" was inspired by the true tale of American frontiersman Hugh Glass, seemingly left for dead after 86ing a bear that attacked him. Explains Nanna, giggling: "I was reading a post about the six most badass guys in history." As for the swelling, epic "From Finner"? "It's about a whale that has a house on its back" says Raggi "on which people travel across the ocean, exploring different places and having adventures." They also dig deeper, past legends of grizzly men and whale riders. "Little Talks," for instance, explores loneliness and insanity, while "Love Love Love" ruefully ruminates on heartbreak. "If you listen to the lyrics, they're not as uplifting," he says. "But our music is meant to be fun to sing along to." In September, Of Monsters and Men threw another party--a more thoughtful gathering to celebrate their full-length debut, My Head Is an Animal. (The album, which was released in Iceland and hit No 1 there soon after, will drop worldwide in early 2012.) For the occasion, they cut out animal masks for the attendees to wear, making them makeshift monster-men/women. "Iceland can be a very isolated country and that translates to the music," Nanna says, adding,"We get stuck in our little world".
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What We Saw From The Cheap Seats was recorded over an eight week period during the summer of 2011 in Los Angeles. Spektor wrote each of the 11 tracks on the album. She arrived at the session with a collection of new compositions, but others were pulled from earlier periods. She and Elizondo fleshed out instrumentation and sought to make each of the songs stand alone sonically. Most of the songs were recorded live with Spektor on piano and vocals, while additional instrumentation was added to these original takes. Of working with Spektor, Elizondo says Regina Spektor is that rare artist that continues to surprise. Just when you think you have her figured out, she knocks you out with something completely different. It s that spirit that drives this record. Each song takes you on a journey that only Regina is capable of providing. She has truly outdone herself. Spektor studied classical piano and garnered a loyal live following in New York before self- releasing two albums. Her breakthrough album, Soviet Kitsch, was released by Sire Records in 2004 followed by Begin to Hope in 2006. The album included worldwide fan favorites "Fidelity," "Samson," "On The Radio" and "Better" and is certified gold in the U.S. Spektor followed up with far (2009) and Live from London (2010), which was recorded at the Hammersmith Apollo Theater during the far tour.
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