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VARIOS INTERPRETES SONG AROUND THE WORLD (CD+DVD)
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Kicking off A&M's ambitious Cat Stevens reissue program is this 20-song introduction. The set surveys all of Stevens's stages, from the orchestrated late-1960s sides through his early-'70s peak to his more eclectic late-1970s experiments. Following the progression makes for an interesting endeavor as Stevens learns to harness his ambitious ideas with arrangements that don't obscure his rhapsodic messages. Few artists of his generation were more gifted when it came to plucking timeless melodies out of thin air, and his sumptuous voice was always able to movingly convey his bittersweet lyrics. As a career overview (including one previously unreleased cut) this set achieves its goal, hitting all of the chart successes along the way and basically defining his role as a sensitive '70s singer-songwriter, but some fans may opt for the classic early-'70s studio records, which find Stevens at his most consistently touching. --Marc Greilsamer
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When Eva Cassidy is swinging her way through "Cheek to Cheek" and getting down and bluesy on "Stormy Monday" on this live set from 1996, it's nigh impossible not to get swept up in her voice's vast, barreling force. Her full range, though, becomes most obvious--and soul-shaking--on the slower side, as with Paul Simon's "Bridge over Troubled Water," Buffy Sainte-Marie's "Tall Trees in Georgia," and "What a Wonderful World." On these latter tunes, Cassidy's mix of aching clarity and rich warmth has a melting quality, speaking through the body to some evanescent presence that she seems to know all too well. She improbably makes Sting's "Fields of Gold" an emotional powerhouse just as easily as she makes Billie Holiday's "Fine and Mellow" an offhand declaration of feeling equal to nearly anything in the jazz vocal canon. In doing so she earns her place among the great singers--artists who could take any song and stamp it indelibly as their own. What Eva Cassidy had in her short life was an unbelievably perfect voice and a musical soul that grasped gospel, folk, blues, jazz, and all points in between as if they were mere stops on a single train ride. Alas, her ride ended in 1996, tragically early. --Andrew Bartlett
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The Turnpike Troubadours, whose name derived from the bumpy Oklahoma toll-roads and their hard lived folk singing heroes, are proof that isolation can be the mother of originality. Cutting their teeth in the roadside dance halls and honk-tonks has made a serious impact on the band s musical style, which walks the line between Woody Guthrie and Waylon Jennings. Goodbye, Normal Street, the bands third album , is testament to the small towns in which they were raised. It combines folk, country, Cajun, and bluegrass with stories of longing, humor, tragedy, and general life in rural America. Breaking down traditional barriers between the audience and the stage is something in which they excel. Fast, gritty, and often drenched in beer, the Troubadours perform to both their fans and new audience members with a genuine sincerity about them. They continually gather ground both literally and figuratively as they travel up, down and across the country.Luther DickinsonLuther made his recording debut at age 14 and was soon touring with RL Burnside. In the late 1990 s, Luther produced Otha Turners albums Senegal to Senatobia and Everybody s Hollerin Goat. He went on to record with the Replacements, Mojo Nixon, Beck, Toy Caldwell, Billy Lee Riley, Lucero, John Hiatt, John Spencer and a host of others. As a member of the North Mississippi Allstars, The Black Crowes, South Memphis String Band and The Word, Luther has made himself widely known as both a talented musician and as a producer with Grammy nominations to prove it.
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