The Yuja Wang album that everyone has been waiting for wows with musical miniatures that are short, sweet, and huge in impact. These encore pieces by Scriabin, Gluck, Rachmaninov, Chopin and others will enthrall Yuja Wang's fans with challenging technical demands and the bravura precision of her execution. The melding of her legendary technical skills with her interpretive intelligence transforms this album of treats into a profound musical experience. The variety of styles - which includes neo-Classical, Impressionist, Romantic, jazz - in addition to the quality of the arrangements of pieces that are adaptations, provides a welcome and yet unique listening experience. Yuja Wang's popularity extends from the concert hall to the Internet. In a year on YouTube, a handful of Yuja Wang's pieces clocked a phenomenal quarter million views.
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YANNI VOICES LIVE IN CONCERT - DVD Movie
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Our Seller Notes and Fine Print Department :.. This is in very good shape, on original CD..From MCA on TWO CD a remaster.
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If the bands that composed the British Invasion of the 1960s were put in a pyramid, one (admittedly subjective) appraisal would have the Beatles alone at the very top--"the toppermost of the poppermost," as John Lennon would say. Just below them would be the Rolling Stones, the Kinks, and the Who, followed by a group including the Animals, the Zombies⦠and the Hollies, the subject of this compilation of more than 20 performances (many of them live, almost all of them complete) from their glory years. Those who know the Hollies as the band Graham Nash was in before he joined forces with Stephen Stills and David Crosby, or who are familiar only with their MOR-ish post-Nash singles "The Air That I Breathe," "Long Cool Woman in a Black Dress," and "He Ain't Heavy, He's My Brother," are in for a treat. Like so many English groups of the era, they started out playing soul and R&B covers ("Rockin' Robin" and "Just One Look," both from a '64 concert, are two good examples here). But the influence of rock 'n' roll pioneers the Everly Brothers and Buddy Holly, who inspired Hollies lead singer Allan Clarke, lead guitarist Tony Hicks, and Nash, was already apparent in the threesome's soaring harmonies, which were further showcased in brilliant pop singles like "Here I Go Again," "I'm Alive," "Look Through Any Window," and "Bus Stop" (all by other songwriters, including Graham Gouldman, later of 10cc), and later in such Clarke-Hicks-Nash compositions as "Stop Stop Stop," "Carrie-Anne," and "On a Carousel" (the DVD contains several minutes of footage of the group at work on the latter in the same Abbey Road studio where the Beatles recorded all of their important work). Recorded in the United Kingdom, Germany, Sweden, Yugoslavia, and Holland, these performances are in black & white and color, with superb remastered sound and generally top-notch visuals; new interviews with the three principals and drummer Bobby Elliott are insightful and full of details. This is another outstanding entry in Reelin' in the Years Productions' British Invasion series; titles by the Small Faces, Herman's Hermits, Gerry and the Pacemakers, and Dusty Springfield are also recommended. --Sam Graham
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After the solid success of Elvis: That's the Way It Is, and with his career as a movie actor having reached a standstill, Elvis Presley undertook a second concert documentary. Elvis on Tour trails after the King on a few concert dates in 1972, as he powers through a curious set list that downplays the classic hits in favor of the likes of "Polk Salad Annie" and "Proud Mary." Rehearsal footage, preshow jitters, and after-hours sessions singing gospel with the gang are included; most revealing is a sequence that follows Elvis off stage and into his waiting limo, where he towels off in exhaustion, cracks a few jokes, and listens to the praise of the entourage. These glimpses are a logical counterpoint to the concert material; less explicable is the rundown of Elvis's early years, which hardly fits the subject at hand--and frankly reminds us that Elvis looks pale and just a bit puffy at this moment in his life. The fun stuff includes a workout on the still-new "Burning Love" (Elvis has to read from a lyric sheet), committed takes on "Bridge over Troubled Water" and "I Got a Woman," and a spirited "Never Been to Spain," a song that fits Elvis's taste for simple, dramatic builds. That, and Elvis giving a stage introduction to "the guy that gives me my water and my scarves and so forth." The movie's structure feels a little random, not that that will matter to fans. At times it catches the King looking undeniably weary of it all, except in those moments when a song really catches him (certainly during the gospel moments) and you see just how utterly "in the music" he was. The split-screen approach is intact, and the film's "montage supervisor" was a young fellow named Martin Scorsese. Note about this 2010 edition: The original song that played under the opening credits, a cover of "Johnny B. Goode," has been replaced (apparently due to rights issues) with a live "Don't Be Cruel." --Robert Horton
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Double DVD pressing. Joe Satriani, one of the most famous, respected, and innovative guitar players in the world today, brings us the live-concert film, Satchurated: Live in Montreal. Features Satriani joined by great musicians like Jeff Campitelli and Mike Keneally.
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Frequently bootlegged and now digitally remastered by Jimmy Page, these tapes capture a 25-month (1969 to 1971) arc in which Zep's sound grew to encompass the speed rush and jazz/blues festival stuff of their 1969 debut, the fully developed folkie musings of "Going to California" (in which Plant vowed to make a hejira right up to Joni Mitchell's front door), and the band's modestly popular multilayered epic "Stairway to Heaven." The Sessions also give a glimpse of nearly off-the-cuff invention in an intense take on Robert Johnson's "Traveling Riverside Blues." Most other white blues musicians would've rushed to get this on vinyl; Page and Plant instead used it for parts, most notably taking its profound acoustic freneticism for Led Zeppelin III. --Rickey Wright
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Josh Groban, Idina Menzel, and Adam Pascal take the stage of London's Royal Albert Hall for this concert version of "Chess," the acclaimed musical by lyricist Tim Rice and composers Bjorn Ulvaeus and Benny Andersson. A score that includes "Where I Want to Be," "One Night in Bangkok," and "I Know Him So Well" tells the story of a Cold War showdown between American and Soviet chess players who become rivals for the love of the same woman. 145 min. Widescreen; Soundtrack: English Dolby Digital stereo.
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This collection of live performance footage from innovative New Wave artists Talking Heads covers the group's history from the early-'70s heyday of New York's CBGB through the 1980s and the 2002 reunion at the band's Rock and Roll Hall of Fame induction. Songs include "With Our Love," "Psycho Killer," "Take Me to the River," "Burning Down the House," "Life During Wartime," and many more. 109 min. Widescreen; Soundtrack: English Dolby Digital stereo; audio commentary; featurette; interview; 48-page booklet.
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