KLAUS WIESE creates an outstanding atmosphere opening you to healing exercises and deep meditation. Just one track: 55:30 minutes The Tibetans say: "Listen to the sound of the Singing Bowls and when the sound is gone keep on listening". This describes a nearly homeopathic approach in music therapy. The frequencies of the singing bowls have a healing impact on our body, especially while these frequencies cannot be found in (today's) ordinary music productions. B I O: KLAUS WIESE was a veteran e-musician and minimalist. He was a member of POPOL VUH and has collaborated with AL GROMER KHAN, MATHIAS GRASSOW, TED DE JONG, SAAM SCHLAMMIGER and OOEPHOI.
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Great collection of instrumental mood music released in 1998 on Virgin label.
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For over 15 years, millions have fallen in love with the music of Jim Brickman. Here, Jim revisits some of his greatest romantic hits, accompanied by a lush, 75-piece orchestra. CD includes In a Lover s Eyes, If You Believe, By Heart, Bittersweet, The Gift, One Love, Love of My Life, Waiting for You, Course of Love, Lake Erie Rainfall, Devotion, Angel Eyes and Finding You. Plus, these bonus recordings:From This Moment On and You Raise Me Up.
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Harold Budd returns with his first solo album in four years and it's a timely reminder of how potent this pianist's ambient orchestrations remain. Although Budd himself would never use the term "ambient," he'll be forever tarred with that brush, having released The Plateaux of Mirror, one of Brian Eno's Ambient Music series in the 1970s. Budd's brand of ambience is full of ambiguity, hidden shadows, and dark corners. Based on themes from his last great album, 1988's The White Arcades, each piece on The Room is a miniature in mood. Dark organ drones underscore the time-stepping piano theme of "The Room of Ancillary Dreams." Another organ drone, along with cascading synthesizer bell swirls and the plucked, vibelike tones of a Fender Rhodes, establish an eerie desolation on "The Room of Stairs." Budd doesn't make happy music, but it has the poignant beauty of the last leaves of autumn. --John Diliberto
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