No Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: Release Date: 17-JUN-2003
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ATO Records is excited to announce the release of the new studio album by Rodrigo y Gabriela. Entitled Area 52, the record was produced by the legendary Peter Asher and will come out on January 24, 2012. Area 52 contains nine of Rod and Gab's favorite songs from their own catalogue re-arranged and re-configured for a 13-piece Cuban orchestra comprised of some of Havana's finest young players, collectively known as C.U.B.A. This two-disc set includes a 30-minute 'making-of' documentary on DVD.Area 52 was mixed by Rafa Sardina, one of the leading studio musicians in the Latin music world, and arranged by London-based pianist, composer and arranger Alex Wilson. Recording took place in the Miramar district of Havana, Cuba, at Abdala Studios, founded by the Cuban folk hero Silvio Rodriguez, as well as at Rod and Gab s studio in Ixtapa, Mexico. Other players on the record include: bassist Carles Benavent (Paco De Lucia, Chick Corea, Miles Davis), drummer John Tempesta (The Cult, Testament, White Zombie), sitarist Anoushka Shankar and drummer Samuel Formell (Los Van Van).With career sales in excess of 1.2 million albums, blockbuster movie scores, sell out world tours that span London to Los Angeles, Paris to Tokyo and Dublin to Sydney, and not forgetting the love and respect of fellow musicians like Metallica, Rage Against The Machine, Al Di Meola and L Shankar, Rodrigo y Gabriela have worked hard to reach Area 52.
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The first solo album by the Fugees' most distinctive voice quickly wipes away the pretensions of so many current hip-hoppers' discs. It does so by both engaging their widescreen ethos--"To Zion," with its martial drums and gospel choir, is as epic a production as has been heard in 1998's pop music--and speaking the plain truth. Miseducation focuses equally on Lauryn Hill's life (especially the birth of her child) and social concerns about the present and future. Its often quiet surface, if anything, lends intensity. --Rickey Wright
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Luther Vandross was one of the most successful R&B artists of the 1980s and '90s. Not only did he score a series of multi-millionselling albums containing chart-topping hit singles and perform soldout tours of the U.S. and around the world, but he also took charge of his music creatively, writing or co-writing most of his songs and arranging and producing his records. He was equally well known for his distinctive interpretations of classic pop and R&B songs, reflecting his knowledge and appreciation of the popular music of his youth. Possessed of a smooth, versatile tenor voice, he charmed millions with his romantic music.Hidden Gems is a compilation of album tracks, soundtrack offerings and rare live performances that are resonate with Luther Vandross' fans. Hidden Gems is the first time that these songs appear in one place and will allow the casual listener to discover songs they never heard and the devoted fan the opportunity to re-live what they love about Luther Vandross.
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For those music buyers who have enjoyed Barry White's music since the early 1970s but may not be devoted enough for the three-CD box set Just for You, this 20-track compilation brings together all of White's major chart hits between 1973 and 1979, along with a couple of entries from his Love Unlimited Orchestra. White's distinctive vocal style--a deep, resonant baritone-bass that oozes sex appeal--was the icing on the cake for those hits; superlative string arrangements (courtesy of the late Gene Page) encased White in a lush setting, while White's hand-picked rhythm section (which included many of Los Angeles's top session players) created a groove that was hard to beat. The combination was lethal: hits like "Never, Never Gonna Give You Up," "Can't Get Enough of Your Love, Babe," and "You're My First, My Last, My Everything" made White a chart staple and an early king of disco; his skill as a vocal interpreter was fully evident on a 1979 reading of Billy Joel's "Just the Way You Are," another standout on this collection. On the evidence of that track alone, it's hard to believe that, according to legend, White never planned to be a recording artist in his own right and would have been happy to remain in the background as producer and songwriter! --David Nathan
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