At a time when experimentation is taboo in most overground rap, that's all Outkast seem intent on executing. Firstly, this double CD has no cohesive link, other than the fact that it sounds like a pair of solo albums stitched together to demo exactly how Andre's yin works to augment Big Boi's yang. Andre 3000's Love Below disc rates as the more eclectic of the two, given that he's turned in his emcee credentials to become a full-on funk-soul-jazz vocalist who mostly sings about items of love ("Happy Valentine's Day"), carnal lust ("Spread"), and female adoration ("Prototype"). Minus the big band schmaltz of "Love Hater" and cheesy cover jobs ("My Favorite Things"), Andre's disc is sick (meaning great). As is to be expected, the Big Boi disc is less arty, more gangsta and worldly, and features the less-progressive guest raps of ATL crunk purveyors Lil' Jon and The Eastside Boyz ("Last Call") and Jay-Z who rhymes the hook on "Flip Flop Rock". Unlike Big Boi, Andre keeps his collabos to a minimum, once crooning alongside Norah Jones on the cool yet sappy "Take Off Your Cool", and once with Kelis. Boi fulfills his Dungeon Family duty with flying colors by flipping some dirty southern up-tempo raps over electro beats on "GhettoMusick". By the time Cee-Lo sermonizes on "Reset", Speakerboxx and Love Below rate mostly as majestic and inspiring, with the remaining 23 per cent being just plain incredible --Dalton Higgins
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WEST KANYE THE COLLEGE DROPOUT
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With the No Limit and Cash Money crews having permanently seared the once-ignored Deep South into the hip-hop map, Nelly arrives to make a mark for the heretofore uncelebrated St. Louis scene. After outlining the rules of the game from lifestyle (gats, grass, and sex) to wardrobe (he cuffs his jeans like Beaver Cleaver), the rapper offers scenario after scenario depicting the gangsta world as one big party; he and his crew seem much more interested in fellatio than shootouts. The title single, which preceded this CD's release by months, is the clear standout with its low-rider groove, but the midtempo R&B-flavored flows of "Utha Side," "Greed, Hate & Envy," and "Steal Da Show" are also seductive. --Rickey Wright
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