Grammy-winner Lauryn Hill releases her solo debut album, a follow-up to the Fugees's The Score.Genre: Soul/R&BMedia Format: Compact DiskRating: Release Date: 25-AUG-1998
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With their third album, the Beasties transformed themselves from smart-ass punks with a hip-hop jones into a playful live funk band with some solid rhymes, assisted by the extraordinary keyboardist Mark Ramos Nishita. A couple of tracks look back to their old school rap roots, and they still deploy goofy samples like nobody's business, but they're mostly making their own grooves (including some instrumentals worthy of being sampled in their own right). Their universalist world-view results in some excellent, off-the-wall fusions--the metalloid bump that forms the funk pulse of "So What'cha Want," Sly Stone's "Time for Livin'" transformed into a hard-rock bomber--but they don't have to prove how clever they are any more, and they're stronger and more humane for it. --Douglas Wolk
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Perhaps no musician more defines a city and a sound than Chuck Brown does Washington, D.C. and go-go. At the age of 67, the godfather of go-go has entertained three generations and still plays to thousands of fans at least three times a week in the D.C./Maryland/Virginia triangle. Go-go is the same age as hip-hop, and shares all of its urban bombast, but it's a live-band thing, and a community thing too. When disco DJs threatened to displace cabaret bands in the '70s, Chuck invented the kinetic, syncopated go-go backbeat and put together continuous funkified sets of originals and covers linked by generous crowd shout-outs and sizzling percussive breakdowns. This recent set, featuring appearances by Trouble Funk and Rare Essence luminaries, has it all: Chuck's exquisite baritone, brilliant musicianship, go-gofied hip-hop, blues and jazz, and breakbeats you can fit a trailer into. If you don't know anything about go-go or Chuck, Your Game...Live At The 9:30 Club might the best introduction you're ever likely to hear. It's definitely one of the best records of 2001. Special bonus: the multimedia enhancements include two videos that put you right in the middle of all the go-go action. --Jeff Chang
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An indispensable and definitive collection showcasing the passionate genius of the late rapper. The album's nonchronological sequence highlights the contradictory impulses that made Tupac's music so commanding; the 21 well-loved "hits," some slightly reedited for legal reasons, are accompanied by four previously unheard songs. Of the new material, the raw-sounding "God Bless the Dead" has been the subject of the most speculation, owing to its subject matter: a eulogizing of the late Notorious B.I.G.--a mysterious feat, since Tupac was killed six months before Biggie. And, making its first proper appearance on a Tupac album, the B-side "Hit 'Em Up" stands as the most intense outburst of pure venomous rage ever captured on tape. Whether he's waxing political, philosophical, or just plain paranoid, Tupac's empathetic, charismatic style remains unmatched. --Charley Gothic
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