
Any lingering doubts as to the depth of Eminem's skills or his potential for raw yet compelling honesty are dispelled on The Eminem Show's first track. Armed with a quicksilver flow and a thundering rhythm track (the record was exec produced by longtime mentor and partner Dr. Dre), "White America" finds Eminem ferociously mauling the hand that feeds him, lambasting his critics, the industry, and the racism that, in many ways, helped make Marshall Mathers more than just another rapper. "Let's do the math," Em sneers, "If I was black I would have sold half/ I could be one of your kids/ Little Eric looks just like this." After the bombast of The Marshall Mathers LP and Eminem's well-noted use of sexual epithets, this kind of material is made more controversial because it actually rings true. From a brutal retort to his long-estranged and equally troubled mother ("Cleaning Out My Closets") to a surprisingly tender ode to his child ("Hailie's Song"), Eminem examines his life, loves, arrests, addictions, failures, and successes with surprising insight, making this a funk-drenched hip-hop confessional well worth the hype. --Amy Linden
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JAY Z & KANYE WEST WATCH THE THRONE
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Simultaneously serving as both endless fodder for intellectual debates and the album most likely to be blaring out of the adjacent car's window, All Eyez on Me is a phenomenon that packs a wallop with every listen. Unquestionably the most nihilistic album to top the Billboard charts--and it's doubtful that any will match it--Eyez also manages to dish out the good-times dance tunes and still flow seamlessly. Recording commenced within hours of Tupac Shakur's release from prison, and a year's worth of pent-up ideas are unleashed with a fury akin to lifting the lid on a box of plutonium. The line between high art and insufferable reality, possibilities and self-destruction, has never been so blurred. Eyez is a landmark achievement that is unlikely to be topped by any heir apparent to the hip-hop crown. --Gregg Turkington
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After the out-of-nowhere success of Licensed to Ill, the Beasties had to prove they were more than one-album wonders, and they hit it out of the park with this follow-up. The Boys' lyrics are a hysterical deluge of cultural allusion (Ponce De Leon, Sadaharu Oh, and Love Connection's Chuck Woolery all get name-dropped), compressed wordplay, and adenoidal snottiness, but the real stars are the Dust Brothers, whose production is a hip-hop landmark. Their music tracks sound like the history of rock and funk radio boiled down to a pure concentrate--monster jams built out of thousands of unexpected samples (Johnny Cash! The Sweet!). It's a killer party album, kinetic and dense, and it never slows down. --Douglas Wolk
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With his first studio album, Live From The Underground, K.R.I.T. stays true to his winning formula. He does so by producing a collection of records that continues to build on the musical history of the South, while simultaneously showcasing his personal beliefs and background in an honest and open way. K.R.I.T. also called upon some of hip-hop and r&b s heavyweights to bless the album including Anthony Hamilton, Big Boi, Melanie Fiona, Bun B, and 8ball & MJG. The wide-range of collaborations add bass, but also the soulful-harmony that give Live From The Underground its dynamic and exciting feel. I m really taking people in-depth about my relationships and the morals I gained from my Grandmother, he says. I go out and do shows and see the type of impact my songs have so it s important that I say something positive, something relatable. I m going to touch on a lot of different topics, there will be a lot of uplifting music on there and a lot of music that inspires people to do more right than wrong. Confident with where he is as a man and an artist, Big K.R.I.T. is dedicated to creating songs for fans of the music he grew up loving. I m forever underground, he says. Underground for me is about being more for the people. I m comfortable with where I m at in my life and the music that I make. With this album, I really sat down as a producer and as an artist and constructed the best beats possible and came up with the best content possible. It just happens to be underground.
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Originally Released:1994Genre:Hip Hop Style:TracklistA1 The Genesis 1:45 A2 N.Y. State Of Mind 4:53 A3 Life's A Bitch 3:29 Rap [Featuring] - A.Z. A4 The World Is Yours 4:50 Performer [It's Yours] - T La Rock Producer - Pete Rock A5 Halftime 4:20 B1 Memory Lane (Sittin' In Da Park) 4:07 B2 One Love 5:24 Producer - Q-Tip B3 One Time 4 Your Mind 3:18 B4 Represent 4:13 B5 It Ain't Hard To Tell 3:22
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